Northcore Hawaiian Hula Dashboard Doll Figurine - One Size

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Occasional hula ʻauana call for the dancers to use implements, in which case they will use the same instruments as for hula kahiko. Often dancers use the ʻUlīʻulī (feathered gourd rattle). Visiting chiefs from other domains would also be honored with hula performances. This courtesy was often extended to important Western visitors. chants which are called oli are usually not danced to; cf. Mary Kawena Pukui; Samuel Hoyt Elbert (2003). "lookup of oli". in Hawaiian Dictionary. Ulukau, the Hawaiian Electronic Library, University of Hawaii Press. Heather Diamond, American Aloha: Cultural Tourism and the Negotiation of Tradition (Honolulu: University of Hawai'i Press, 2007), 49.

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a b c d Silva, Kalena (1989). "Hawaiian Chant: Dynamic Cultural Link or Atrophied Relic?". The Journal of the Polynesian Society. 98 (1): 85–90. JSTOR 20706253. In response to several Pacific island sports teams using their respective native war chants and dances as pre-game ritual challenges, the University of Hawaii football team started doing a war chant and dance using the native Hawaiian language that was called the ha'a before games in 2007. The materials for the lei worn in performance were gathered in the forest, after prayers to Laka and the forest gods had been chanted.The lei and tapa worn for sacred hula were considered imbued with the sacredness of the dance, and were not to be worn after the performance. Lei were typically left on the small altar to Laka found in every hālau, as offerings. Regalia plays a role in illustrating the hula instructor's interpretation of the mele. From the color of their attire to the type of adornment worn, each piece of an auana costume symbolizes a piece of the mele auana, such as the color of a significant place or flower. While there is some freedom of choice, most hālau follow the accepted costuming traditions. Women generally wear skirts or dresses of some sort. Men may wear long or short pants, skirts, or a malo (a cloth wrapped under and around the groin). For slow, graceful dances, the dancers will wear formal clothing such as a muʻumuʻu for women and a sash for men. A fast, lively, "rascal" song will be performed by dancers in more revealing or festive attire. The hula kahiko is always performed with bare feet, but the hula ʻauana can be performed with bare feet or shoes. In the old times, [ when?] they had their leis and other jewelry but their clothing was much different. Females wore a wrap called a "paʻu" made of tapa cloth and men wore loincloths, which are called "malo." Both sexes are said to have gone without a shirt. Their ankle and wrist bracelets, called "kupeʻe", were made of whalebone and dogteeth as well as other items made from nature. Some of these make music-shells and bones will rattle against each other while the dancers dance.

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Hula ( / ˈ h uː l ə/) is a Hawaiian dance form expressing chant ( oli) [1] or song ( mele). It was developed in the Hawaiian Islands by the Native Hawaiians who settled there. The hula dramatizes or portrays the words of the oli or mele in a visual dance form. Women perform most Hawaiian hula dances. Female hula dancers usually wear colorful tops and skirts with lei. However, traditionally, men were just as likely to perform the hula. Another story is when Pele, the goddess of fire was trying to find a home for herself running away from her sister Namakaokahaʻi (the goddess of the oceans) when she finally found an island where she couldn't be touched by the waves. There at a chain of craters on the island of Hawai'i she danced the first dance of hula signifying that she finally won. Hula is taught in schools or groups called hālau. The teacher of hula is the kumu hula. Kumu means "source of knowledge", or literally "teacher".Kawate, M.; Uchida, J.; Coughlin, J.; Melzer, M.; Kadooka, C.; Kam, J.; Sugano, J.; Fukuda, S. (2014). "Ti Leaf ( Cordyline terminalis or fruticosa) Diseases in Hawaii's Commercial Orchards" (PDF). HānaiʻAi/The Food Provider: 1–11. Archived from the original (PDF) on December 10, 2015 . Retrieved January 21, 2019.