Daughters of Sparta: A tale of secrets, betrayal and revenge from mythology's most vilified women

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Lykou is Daphne’s friend from Sparta who journeys with her in wolf form. I found their wolf-human interactions to be interesting, and I admired his loyalty to her – even as he struggled to prevent the wolf nature from taking over him. Heywood's wondrous retelling of the lives of two ancient princesses struggling for independence and agency in a patriarchal society resonates deeply in today's imperfect world. Required reading for fans of Circe, and a remarkable, thrilling debut.'

For millennia, two women have been blamed for the fall of a mighty civilisation - but now it's time to hear their side of the story... As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivaled beauty, they are the envy of all of Greece. But such privilege comes at a cost. While still only girls, the sisters are separated and married to foreign kings of their father’s choosing—the powerful Agamemnon, and his brother Menelaos. Yet even as Queens, each is only expected to do two things: birth an heir and embody the meek, demure nature that is expected of women. But there is a good amount of action in this book, and I certainly enjoyed the excitement of those scenes! Overall, Daughter of Sparta is a solid read that will take you to a heart-pounding journey along with your favourite classic Greek myths. Claire M. Andrews, Daughter of Sparta Characters & Romance Close-up of a Greek dish hand painted with Dionysus on it, next to a notebook and the hardcover edition of Daughter of Sparta.There is more going on in this (comparatively) brief quote than I can account for here, but a few noteworthy points as they relate to Daughters of Sparta are as follows. First, obviously, the translations themselves are quite different: Through both the translation and Heywood’s extraction of it from its context, much of the nuance has been stripped out of the source text that has come down to us from antiquity, as evident in “good ones” (meaning women) vs. women “whose acts are virtuous.” It may not seem important, but the latter differentiates between women sum total being bad and bad acts that some women may perform. One thing this may reflect is the recognition of coexisting dualities, especially in Homer but also evident across ancient Greek thought. A particular quality, cunning for example, could be deployed for good or bad ends. Cunning itself is not necessarily inherently either good or bad but can become so through its application. Alternately, rather than morally neutral qualities, the modern Western mind especially (though not exclusively) tends to bifurcate, creating discrete categories for good and bad and then assigning qualities accordingly (honesty and cunning respectively, for example). Helen remains in Sparta to be betrothed to Menelaos, and Klytemnestra is sent alone to an unfamiliar land to become the wife of the powerful Agamemnon. Yet even as Queens, each is only expected to do two things: birth an heir and embody the meek, demure nature that is expected of women. An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.

This brings up one of my main issues with Daughters of Sparta: By removing the gods from the story entirely as agents, Heywood removes a prime mover within the Homeric narrative. This accords with some modern views, but it denies an important feature (among others) of the myths, which is that they existed to explain the human condition, and central to this condition was a dynamic between immortal power and mortal bodies. What differentiates gods from humans in the mythical world is that the gods are more powerful and eternal. Thus humans, being weaker and mortal, can become instruments through which gods achieve their ends. A powerful wind can change a navy’s plans, for example, putting it on a disastrous course. The cycles of nature dictate farming and harvesting. And so on. In the Iliad, Helen gets pushed around and threatened by Aphrodite, who wishes Paris to be rewarded for having chosen her as the “most beautiful” and engineers events accordingly. Klytemnestra becomes the instrument through which Agamemnon is punished by the gods, for various offenses. Heywood tells us these two women were blamed, but ancient sources are far more nuanced. In the Iliad, Helen blames herself, but the Trojans do not. Not so in Heywood. Her Trojans despise and blame Helen for having brought destruction to their gates. Claire M. Andrews, Daughter of Sparta Final Thoughts Flatlay of Daughter of Sparta on top of a notebook betweek a Greek painted dish and a teapot and wolf dish on the other side. This novel and I got off on the wrong foot with the epigraph, before the story even had a chance to properly begin. Heywood includes a quote from the Odyssey: “For there is nothing in this world so cruel and so shameless as a woman when she has fallen into such guilt as hers was […]/[…] her abominable crime has brought disgrace on herself and all women who shall come after—even on the good ones.” But when the weight of their husbands’ neglect, cruelty and ambition becomes too heavy to bear, they must push against the constraints of their sex to carve new lives for themselves – and in doing so make waves that will ripple throughout the next three thousand years. Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.

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For millennia, men have told the legend of the woman whose face launched a thousand ships—but now it’s time to hear her side of the story . Daughters of Sparta is a tale of secrets, love, and tragedy from the women behind mythology’s most devastating war, the infamous Helen and her sister Klytemnestra.

Heywood leaves the gods out of the story, other than as vague powers to whom characters refer, in this sense taking a quasi-historical/materialist/psychoanalytic rather than fantasy approach to the Trojan war myth. The choices she makes to achieve this approach toward the characters and their experiences are interesting to think about, and her prose is engaging. I believe this novel will find an enthusiastic audience among readers who enjoy modern women’s narratives dressed in ancient Greek costumes. Apollo joins Daphne on her quest in an attempt to right a mistake he made. This Apollo felt much more human, not like some distant, untouchable god from Olympus. In fact, he is in danger of becoming mortal if he and Daphne don’t retrieve what was stolen from Olympus.

Final Thoughts

If you love epic books about Greek mythology and the often misunderstood or misinterpreted women within these tales, Daughters of Sparta should be right at the top of your reading list. It's a vividly written and compelling retelling that brings the Spartan princesses to life with all the human fortitude and foibles you'd expect from flesh and blood people. I'm already impatiently awaiting the reveal of the next set of female perspectives from the ancient world that Claire Heywood will be writing about in her second novel. As it is the presented, the quote seems to express the view of “Homer” in “the Odyssey.” But the quote is so decontextualized and chopped up as to be denuded of its meaning. If you’ve read the Odyssey, you might recall that the above words appear in book eleven as part of a speech by Agamemnon delivered post-mortem, from Hades, as he explains to Odysseus how he died. But when the weight of their husbands' neglect, cruelty and ambition becomes too heavy to bear, they must push against the constraints of their sex to carve new lives for themselves - and in doing so make waves that will ripple throughout the next three thousand years. Daughters of Sparta is a vivid and illuminating reimagining of the Siege of Troy, told through the perspectives of two women whose voices have been ignored for far too long. As princesses of Sparta, Helen and Klytemnestra have known nothing but luxury and plenty. With their high birth and unrivalled beauty, they are the envy of all of Greece. Such privilege comes at a high price, though, and their destinies are not theirs to command. While still only girls they are separated and married off to legendary foreign kings Agamemnon and Menelaos, never to meet again. Their duty is now to give birth to the heirs society demands and be the meek, submissive queens their men expect.

urn:lcp:daughtersofspart0000heyw:lcpdf:d74a4db9-59ba-4988-bab7-170d0af8f677 Foldoutcount 0 Identifier daughtersofspart0000heyw Identifier-ark ark:/13960/s2httzfr33c Invoice 1652 Isbn 9780593184356 Personally, I think it’s really interesting to think about needs and possibilities and how the ancients navigated those, both well and badly. I can appreciate the desire to tell stories that empower modern feminists, but then what is the reason to tell a story from a past and culture that the author does not want to take the time to understand in a nuanced way? And to be honest, there’s a lot more I could say, where she imposes a lot of attitudes that are clearly about modern not ancient life. There is so much cringe. I think if you’re going to enter a culture that is not your own, you have to be willing to see beyond your own resentments and anger and have the willingness and ability to see nuance and respect things that are different from you. I very much enjoyed the fact that Heywood chose to split the focus of the novel between the two sisters. While both Klytemnestra and Helen are, of course, famous individually, I daresay that relatively few people recognize that they were, in fact, siblings. In bringing them both into the frame as part of the same story, Heywood allows us to see how firmly intertwined their fates were from the beginning and how much they remained so throughout their lives. After all, were it not for Helen’s decision to abscond with Paris for Troy, Kyltemnestra wouldn’t have lost her daughter and wouldn’t have been driven to

Initial Thoughts

There is so much to appreciate about this book! Daphne has much more agency over her actions in this retelling. Lccn 2020047756 Ocr tesseract 5.2.0-1-gc42a Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9889 Ocr_module_version 0.0.18 Ocr_parameters -l eng Old_pallet IA-NS-1200527 Openlibrary_edition Daughters of Sparta, which I received from NetGalley for review, purports to tell the stories of Helen and Klytemnestra, daughters of king Tyndareos and queen Leda of Sparta. Dual alternating third person narrators follow the sisters chronologically from childhood through the end of the Trojan war, including their marriages, experiences with childbirth and motherhood, and war years. Here is Agamemnon’s full reply (Richmond Lattimore’s translation, underlines are mine to correspond with what Heywood extracts from, if I’m not mistaken, Emily Wilson’s translation): Sometimes, I felt information is withheld from the reader for a little too long. By the end, I was getting annoyed by how many times people refused to tell Daphne who her true father is.