Lust of The Dead: Trash Terror Trilogy [Blu-Ray]

Product Information

Spoiler Alert** The film, once again, follows a group of female survivors who have barricaded themselves inside of a compound while the rest of the city is under siege by men infected with a virus that turns them into raping and flesh eating fiends. While trying to find a cure they accidentally bring in a man that showed no signs of infection. Later he turns and starts raping his wife and compromises the compound from the inside while the horde of zombies and uninfected men who think they are superior to women try to get in. **Spoiler Alert**

Kogal-gui: Osaka Telekula Hen (Eat the School Girl: Osaka Telephone Club)". sazuma.com . Retrieved 2009-07-24. In April 2006, he returned to the zombie genre when he directed and co-wrote the V-Cinema horror film, Zombie Self-Defense Force ( ゾンビ自衛隊, Zonbi jieitai ) featuring AV actress Mihiro. [12] [13] Also in 2006, he directed AV star Sakura Sakurada in the V-Cinema erotic video My Sister's Secret (妹の秘密). [14]

The story for this one is funny in a way and definitely can be offensive to some. With that being said, the execution of this one is all wrong. The use of green screens and poor editing makes this story extremely difficult to follow. I wanted to love this one but after about 20 minutes I was ready to cut it off. The story and the way it was approached was somewhat painful to watch. For those of you unaware the series is about a zombie apocalypse with a twist. As soon as a man develops any sexual desire he becomes a zombie and instead of brains or human flesh they seek erm......sexual satisfaction. Needless to say that means 99% of the worlds men are now undead, women are in hiding and the remaining men are a combination of A-sexuals and what would be known in modern day society as incels.

And, boy, are they ever cheap: rubbishy After Effects CGI blood splats (the only way to kill a zombie is to shoot it in the penis!) and rubbery prosthetics abound, with some even worse effects saved for the apocalyptic nuclear aftermath ending, in which North Korea bombs Japan (and a lesbian couple have a baby-no man involved?!?!)The main characters meanwhile are four female "survivors" who are holed up in a shrine. The main character, the badass, is played by Asami, who is often called a "porn star", but seems to mostly appear in low-budget sexploitation fare like this as opposed to out-and-out "AV" (adult videos). There are also a pair of lesbians, who have a long scene together--it's NOT true all the nudity in this involves rape. Then there's a very sexy and mature-looking "schoolgirl" (who's even less believable as a genuine schoolgirl then is anything else in this movie). She's so horny for a (non-toxic) man she decides to seduce the young priest of the Shinto shrine, who is seemingly immune to the virus since he has taken a vow chastity. The result of this schoolgirl seduction is pretty predictable, but also very sexy. The trouble is it's very out of place in a film like this and certainly not what I'd imagine the average viewer would be seeking. The scale of the plot only widens here and gets really over convoluted to the point where it's a tad unbearable.

The women are all relatable and interesting in unique ways, and the way they band together to protect each other is, for the most part, endearing and sincere. A personal favorite moment for me was the army distributing weapons to local girls by way of a community cookout/shooting range. Women share food, take selfies, and cheer each other on as they practice their aim on rape zombies sporting bullseye speedos. It’s a beautiful moment of sisterhood and coming together for a common goal, and I don’t have one bad thing to say about it. Tomomatsu mixed genres with his pink film-thriller-gangster movie Kogyaru-gui: Oosaka terekura hen (コギャル喰い　大阪テレクラ篇), known in English as Eat the Schoolgirl or Eating Schoolgirls: Osaka Telephone Club, released in Japan March 10, 1997. [2] [3] The film, which Tomomatsu directed and co-wrote, follows two young men working for the yakuza, one of them a telephone-sex addict, the other gets sexual gratification from killing while dressed as a schoolgirl. A reviewer described it as "one depraved sex scene after another". [4] It was also released as a DVD in May 2004. [5] Starring – Asami (RoboGeisha, St. Zombie Girls’ High School), Iona (Zombie TV, Brutal), and Yui Aikawa (Missing 55, Lust of the Zombie) I almost bought them but a friend told me to hold off because he heard that these three films, also known as Rape Zombies, was getting a blu release. I held off and I’m glad I did. For almost a third of the price I was able to get the first three Lust of the Dead (there is five total films now) on blu from Media Blasters. Sadly, these films were not as fun as I would have thought.

Finally, we once again get some great practical effects with some questionable make-up effects on the infected. I really liked the practical effects but the visuals were hit and miss. Some of the visuals worked but there is several instances where the visual effects just didn’t look right at all. It was as if they ran out of time and just tossed it in. Overall, Lust of the Dead 2 is just a continuation of the first film with nothing new offered. The movie is a chore to finish and some viewers may not be able to finish this one. Skip it. Starring – Rina Aikawa (CSI: Crime Scene Talks), Yui Aikawa (Missing 55, Lust of the Dead 2), and Asami (The Machine Girl, Helldriver) Spoiler Alert**The film follows a group of females who are trying to survive after the world is overrun by toxic males who want nothing more than to rape women. Many females group together to survive but soon the toxic men start to outnumber the women. Soon a nuclear bomb goes off and many of these men perish but those that survive are now severely burned and rotting with an insatiable appetite for women…in more than one way.**Spoiler Alert** Within the last couple of years there has been a massive flood of these blood-drenched and gory movies to make it out of Japan. They are known (and loved) for their extreme violence, amounts of blood, absurdity and for just being downright campy. I will say that "Rape Zombie: Lust of the Dead" ("Reipu Zonbi: Lust of the Dead") was a rather stale and boring addition to this rather unique genre of Japanese movies. place Maid-Droid as Rōjin to Rabudōru: Watashi ga Shochō ni Natta Toki ( 老人とラブドール　私が初潮になった時, lit. The Old Man and the Love Doll: The Time of My First Period) (Tomomatsu was named Best Director for this film)