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Non-English language live-action films and TV [ edit ] Cinderella at the ball in Soviet film (1947) Mulhern, Chieko Irie (1985). "Analysis of Cinderella Motifs, Italian and Japanese". Asian Folklore Studies. 44 (1): 1–37. doi: 10.2307/1177981. JSTOR 1177981. Accessed June 25, 2021. Folklorists have long studied variants on this tale across cultures. In 1893, Marian Roalfe Cox, commissioned by the Folklore Society of Britain, produced Cinderella: Three Hundred and Forty-Five Variants of Cinderella, Catskin and, Cap o'Rushes, Abstracted and Tabulated with a Discussion of Medieval Analogues and Notes. Further morphology studies have continued on this seminal work. [43]

In Enchanted, Giselle's wedding coach resembled the pumpkin coach. The coach itself also appeared during the credits. Cinderella", [a] or " The Little Glass Slipper", is a folk tale with thousands of variants that are told throughout the world. [2] [3] The protagonist is a young girl living in forsaken circumstances that are suddenly changed to remarkable fortune, with her ascension to the throne via marriage. The story of Rhodopis, recounted by the Greek geographer Strabo sometime between 7 BC and AD 23, about a Greek slave girl who marries the king of Egypt, is usually considered to be the earliest known variant of the Cinderella story. [2] [3] [4]

Several different variants of the story appear in the medieval One Thousand and One Nights, also known as the Arabian Nights, including "The Second Shaykh's Story", "The Eldest Lady's Tale" and "Abdallah ibn Fadil and His Brothers", all dealing with the theme of a younger sibling harassed by two jealous elders. In some of these, the siblings are female, while in others, they are male. One of the tales, "Judar and His Brethren", departs from the happy endings of previous variants and reworks the plot to give it a tragic ending instead, with the younger brother being poisoned by his elder brothers. [34] Literary versions [ edit ] Italian author Giambattista Basile wrote the first literary version of the story.

Rani Aur Lalpari ( lit. 'Rani and the Red Fairy'), a 1975 Indian children's fantasy film by Ravikant Nagaich features Cinderella as one of the characters - where she is portrayed by Neetu Singh. [72] Once Upon a Time: Once Upon a Time (Book) • Snow White's Glass Coffin • Red Riding Hood • Maleficent's Staff • Magic Wand • Glass Slipper • Poisoned Apple • Spinning Wheel • Magic Lamp • Dark One's Dagger • Chipped Cup • Jefferson's Hat • Magic Beans • Captain Hook's Hooks • Enchanted Candle • Pixie Dust • Dreamshade • Salad Fork • Pandora's Box • Silver Slippers • Sorcerer Hat • Enchanted Broom • Trident • Enchanted Shell • Heroes and Villains (Book) • Merida's Bow • Magical Rose • Excalibur • Olympian Crystal • Cinderella's Dress • Golden Scarab Beetle • Rapunzel's Frying Pan • Magical Golden Flower • Shrinking Potion • Floating Lanterns • Tarot Cards • Maui's Fish Hook The annotated classic fairy tales. Tatar, Maria, 1945– (1sted.). New York: Norton. 2002. ISBN 0393051633. OCLC 49894271. {{ cite book}}: CS1 maint: others ( link) century folktale collector Kenichi Mizusawa published an analysis of Japanese variants of Cinderella, separating them into two types: "Nukabuku, Komebuku" (about rival step-sisters) and "Ubagawa" (about the heroine's disguise). [32]

What is Cinderella's Carriage Open-Ended STEM Investigation Plan?

Cinderella (1965), a second production of the Rodgers and Hammerstein musical, starring 18-year-old Lesley Ann Warren in the leading role, and featuring Stuart Damon as the Prince, with Ginger Rogers, Walter Pidgeon, and Celeste Holm (filmed in color and broadcast annually for 10 years).

In La Cenerentola, Gioachino Rossini inverted the sex roles: Cenerentola is mistreated by her stepfather. (This makes the opera Aarne-Thompson type 510B.) He also made the economic basis for such hostility unusually clear, in that Don Magnifico wishes to make his own daughters' dowries larger, to attract a grander match, which is impossible if he must provide a third dowry. Folklorists often interpret the hostility between the stepmother and stepdaughter as just such a competition for resources, but seldom does the tale make it clear. [54] Mayer, Fanny Hagin. "Reviewed Work: 越後のシンデレラ by 水沢謙一" [ Echigo no Shinderera by Kenichi Mizusawa]. In: Asian Folklore Studies 24, no. 1 (1965): 151-153. Accessed July 25, 2021. doi:10.2307/1177604. The first literary European version of the story was published in Italy by Giambattista Basile in his Pentamerone in 1634; the version that is now most widely known in the English-speaking world was published in French by Charles Perrault in Histoires ou contes du temps passé in 1697 as Cendrillon and was anglicized as Cinderella. [5] Another version was later published as Aschenputtel by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales in 1812. With this amazing Cinderella's Carriage Open-Ended STEM Investigation Adult Input Plan, your Early Level learners will get excited with their learning. This resource provides you with everything you need to plan a lesson on a design challenge: learning intentions, Experiences and Outcomes, Benchmarks, resources you can use, key questions you can ask, key vocabulary and what's your role as a teacher in the learning. There is also space for you to record any next steps you might take and to evaluate the learning. What is Cinderella's Carriage Open-Ended STEM Investigation Plan? Ella Enchanted (2004), a fantasy retelling featuring Anne Hathaway, which is based on the 1997 novel of the same name.

Chen, Fan Pen Li (2020). "Three Cinderella Tales from the Mountains of Southwest China". Journal of Folklore Research. 57 (2): 119–52. doi: 10.2979/jfolkrese.57.2.04. S2CID 226626730. Accessed 17 November 2020. Once Upon a Time in Wonderland: " Down the Rabbit Hole" • " Trust Me" • " Forget Me Not" • " The Serpent" • " Heart of Stone" • " Who's Alice?" • " Bad Blood" • " Home" • " Nothing to Fear" • " Dirty Little Secrets" • " Heart of the Matter" • " To Catch a Thief" • " And They Lived..." Hui, Jonathan Y. H. (2018). "Cinderella in Old Norse Literature". Folklore. 129 (4): 353–374. doi: 10.1080/0015587X.2018.1515207. S2CID 211582470.