Baby Teeth: A Novel

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Now to the meat of the sandwich, the problems I had with this book.... hannah’s age was probably my biggest problem, I just found it very unbelievable that a child of her age was able to have the thought process and knowledge that she did no matter how gifted she was..... this I believe leads to the real problem if Hannah were 12(The age I believe A character who acted as she did was more apt to be) then she probably would have already been diagnosed and been in some major therapy.... however this also begs the question why was she not in major therapy at seven? Perhaps Alex and Suzette were not parents of the year, but they did take her to see several doctors and I’m not quite sure why more wasn’t done at a younger age? Although if something were done at a younger age we would not have had this book.... so perhaps that is the reason.... This book has the most lyrical writing and the flow is absolutely perfect; I felt it reflected Immy’s emotions and thoughts so well. The pivotal moment in Hannah and Suzette's relationship is when Suzette is inappropriately candid with two-year-old Hanna. She doesn't consider how much Hanna can understand or how a young child with limited experience might process the information. It's a frustrating scene to witness, because of all the miscommunications that ignite the toxic cycle of Hanna and Suzette's relationship: Hannah is stressed out because Mommy is acting weird→Hanna tries to get her Mommy's attention the only way a two-year-old can→ Suzette interprets it as yet another one of her maternal failings, when Hanna is actually just being a normal toddler→The situation spirals out of control.

Kudos, Madam Stage, for this very interesting debut. I can see much potential within the genre and hope you’ll keep writing. Your fan base is sure to grow exponentially, especially with all the popularity this book is receiving online. A while later, Anna wakes up at night and discovers Moses in the process of robbing the family for prescription drugs. Milla and Henry wake up and are alerted to the situation, but while Henry wants to call the police Milla pleads for leniency, which Anna allows, noticing how much happier Milla is with Moses. The following day Anna warns Moses to stay away from her daughter. A vengeful pit grew inside her and it remained to be seen how it would grow—very possibly into a tree with snaking branches and claws. How fun it would be to be such a tree, looming like a giant on a neighborhood street. People would pass beneath her, and the ones she didn’t like—snap snap crunch! She’d snatch them up and tangle her branches around them, and their bones would break with little crunches that would be mistaken for the snap of a twig. Her bark-self would absorb their yummy blood and the tree would grow and thrive. (Hanna)

What would you do if your child hated you? Really and truly hated you? Hated you so much , in fact, that she wanted to eliminate you? This book is well written. It’s a tense, disturbing read. So, if you’re in the mood for that, you might enjoy this.

It remained disappointing that Daddy hadn’t let mommy wither and die when he had a chance”. ( note.. Hanna saw her parents having sex - she was hoping with dad on top of mom, he would kill her). Oh well! I see why a lot of people hate this book; because of the characters, especially Hanna's parents. They were irritating. Her father doesn't want to believe that her cute angel is a monster. Firstly, I was pissed about it. Later I accepted it.Due to Hanna being non-communicative and combative, Suzette is forced to keep her home and provide all of the child's schooling and care. THIS BOOK seems to me - to be an intentionally disturbing novel - for the pure pleasure of the thrill. It’s ugly and non-inspiring. It ‘is’........absorbing.....but I’m not proud of myself reading it. Babyteeth is a 2019 Australian coming-of-age comedy-drama [3] film directed by Shannon Murphy from a screenplay by Rita Kalnejais, based upon her stage play of the same name. It stars Eliza Scanlen (in her first film appearance), Toby Wallace, Emily Barclay, Eugene Gilfedder, Essie Davis, and Ben Mendelsohn. The film had its world premiere at the Venice Film Festival on 4 September 2019. It was released in Australia on 23 July 2020 by Universal Pictures and won nine AACTA awards, including Best Film.